Author: Rex Sexton

  • Love Equation

    Love Equation 3

    FULL MOON, LOONEY TUNES
    Only artists or hermits or monks choose
    poverty, any other social theory is baloney.
    Wine, women and song cost little; studio
    space next to nothing if you live in a
    ghetto. A loaf of bread, a jug of wine and
    what’s her face works for a long time, at
    least when you are in your prime.
    An artist, poet or painter, wants to work
    as little as possible at some job that takes
    them away from their pen or easel.

    “So there’s that 47%,” Mitt Romney whined,
    “that we can forget. They will vote for Obama
    and collect their gifts.”
    “There are givers and the takers – those
    who contribute and those who mooch,”
    Paul Ryan stared steely eyed at the press.
    “If you’re poor or out of work it’s your
    own fault.” Rush, the bus, Limbo roared.

    Moochers, takers, goldbricks, sure fits
    artists. But I don’t think it applies to the
    poor or anyone who’s out of work or ever
    has been. I suppose there’s always been
    junkies, and winos, and panhandlers on the
    streets, lost souls with mental problems and
    those who are, OK, just plain lazy. It can’t
    be many. But these politicians and that radio
    guy somehow forget we just got out of the
    Great Recession and what’s available are
    still slim pickings, and I can’t see how it
    applies to homeless families or those doomed
    to meager lives in the ghettos and hollows,
    and slums across the nation through
    misfortune.

    That 47% has grown. Half of the country lives
    in or near poverty now. The Affordable Care
    Act has added 6 million to the ranks of the
    insured. 45 million to go. But the
    Republican governors refuse to let their
    constituents get the expanded Medicaid,
    so that won’t happen.

    There was only one artist at the Boston
    Center for the Arts who actually got on
    disability. Helen the heavenly. Many tried.
    They got their inspiration from a character
    by Thomas Pynchon. To prove that he was
    crazy, so he could collect government checks,
    he would jump, every year, through the plate
    glass window of a department store.
    Whatever antics my friends pulled didn’t
    work. The government techs said “Nix.”
    Helen was a poet, much published. She wrote
    like Sylvia Plath on acid. She was mad as a
    Hatter, as beautiful as a movie star. Once
    each summer, on a full moon night, she would
    wear her platinum hair in tiers, don flashy
    costume jewelry, wear a black satin gown and
    walk barefoot through the ghetto. No one
    could stop her. The police would find her in
    the morning, raped and beaten. They would
    file a report. Helen would give it to her social
    worker. “I couldn’t help myself.” She would
    say through tears.
    We all knew she set the whole thing up
    with her gangsta lover.

  • Shadows

    Neverman
    SHADOWS
    We wander the ghost lanes of
    our lost souls, coat collars turned
    up against the blistering cold.
    There is nothing left to gamble.
    All bets were off, for us, a long
    time ago. Time is all that’s left,
    It’s the kind one serves like a
    prison sentence.
    We huddle beside the Mission,
    smoke caged cigarettes, wait for
    it to open: prayer, meal, lights out
    at ten, spectral dreams with
    phantom men.
    Prayer? What is there to pray for?
    Tomorrow we will rise slowly,
    as from a graveyard like dead men,
    and haunt the world again.

    DEAD BOLT
    Key in the wrong door, maybe it will open
    to something better?
    I hear two doors close behind the locked one
    The sound is final, my visit done.
    I grew up near a race track, horses, dogs.
    All the races were fixed.
    There was a sign staked near the entrance
    someone hammered into the ground.
    “Jesus Finds The Lost.”
    Lost bets I wondered?
    No, the lost find Jesus, I concluded.
    Not as good as scoring money but they
    have to win something.
    I’ll end this poem with a conversation
    with a homeless person.
    “Are you lost?” I ask him.
    “I’m homeless. Can you spare some
    change?”
    “Maybe. I’m writing a poem. So far
    it has no meaning. I was hoping you could
    give it some.”
    “You want meaning from a bum?”
    “I’ll take it from anyone.”
    “You need the right key to open the right
    door. If you never find that key you’ll
    be locked out forever.”
    I gave him some change anyway.

  • The Hunger Games

    Autosave-File vom d-lab2/3 der AgfaPhoto GmbH
    “No Names” play the hunger games
    (not movie stars, not athletes, nor
    heroic challengers). Forget about Hollywood
    and its glam girl/glam guy health club figures,
    who can hurl spears, throw knives, shoot
    arrows, with the aid of their doubles, and
    face down trouble without out a blink,
    because,
    after all,
    victory is written in the script, or there
    would never be a popcorn selling sequel to any
    of this idiotic Rambo bullshit.

    Down and out ghetto dwellers are the real
    hunger sufferers.
    Slum, barrio, hood, backstreet inhabitants,
    trying to put a meal together, pay the rent,
    are the actual hunger games combatants.

    Crouched in fear, as the latest purge draws
    near, the child, mother, sister, brother,
    father, uncle, aunt, grandparent, waits
    for the next cuts in Medicaid, unemployment
    compensation, whatever else can be withheld
    or eliminated from the less fortunate of the
    nation: food stamps, educational grants,
    raising the minimum wage to something a
    family could live on for a change, as well as
    that distain for the hard times that come
    to those living in a slum – crime, fires,
    random dangers, sweltering summers, deadly
    winters, denial, destruction, as if poverty was
    a justified punishment.

    No name, no face, no voice, no choice –
    no heroes in this hunger game.
    OK, now and then an Orwell, London, Spinoza,
    Van Gogh, Gauguin, innumerable other
    luminaries ahead of, or out of sink with, their
    time, who are famous now but were, and
    sometimes stayed, starving nobodies. Like
    Nietzsche who lived in a cheap room and died
    in an asylum without a nickel or a friend.
    (One could go on and on about these genius sad
    sacks who, through no fault of their own and no
    dearth of effort or talent, couldn’t feed their families
    or pay the rent).
    Like Pissarro, my art teacher’s favorite painter,
    who would have died impoverished and unknown
    if he hadn’t become, by chance, a key witness in
    the famous Dreyfus treason trial and painted,
    in his 19th century French witness protection
    program, Paris street scenes from the second
    story window of his government supplied cheap
    hotel room (actually more like a prison cell
    because they would not let him leave it until
    the trial was over) – a viewpoint that had
    (oddly) never been done before and instantly
    caught on, and made him, in his last years, a
    small and totally unexpected fortune –
    everyone had to have one – just people who
    suffer misery and pain and shame, and oddly
    from many, blame.

    Today the summer sun sparkles across the
    land, oceans, rivers, lakes and ponds.
    A soft breeze blows. White clouds float.
    Tree leaves rustle. Life is beautiful in the
    other America – like the dazzling shapes
    and colors in a picture book: the majestic
    purple mountains, the amber waves of grain
    Those who live here are the winners of the
    hunger games. They never had to play them.
    Bad luck has never visited them.
    Yet.

    Then there are those who forget or are
    egocentric enough to actually think that they
    pulled themselves up by their bootstraps, or
    have bought into the Hollywood-style illusion
    of heroics. Especially if they can, in this
    Romantic view of things, use it to puff out
    their own little chests.
    What saps!

  • Philadelphia Magazine

    First Friday Roundup: #phillytype, Corner Store, Meltdown, and More
    BY MARQUESA ROTUSKI | JUNE 6, 2014 AT 9:09 AM

    Our guide to what’s worth browsing this First Friday.

    “Meltdown” by Rex Sexton
    Award-winning Philadelphia based artist and writer, Rex Sexton, will be featured at 3rd Street Gallery this Friday. Sexton’s works are dreamlike and filled with emotion, and his newest exhibition is no exception. “Meltdown” focuses on the struggles of the last few decades, the feelings of angst behind conflict and hostility, while also capturing the hope of better times to come. June 6th, 5-9 p.m., 3rd Street Gallery, 45 N. 2nd Street.

    http://www.phillymag.com/ticket/2014/06/06/first-friday-roundup-phillytype-corner-store-meltdown/#gallery-1-3

  • The Running Man

    The Howl

    My military stint in D.C. bordered on Twilight
    Zone lunacy.
    Federal agents shadowed me. There were 3rd
    degree interrogations by the C.I.A. as well
    as background checks, psychological tests,
    interviews with the Pentagon’s assorted
    military brass.
    I was just a draftee. They wanted to train
    me for a job that required a Top Secret
    security clearance, absolute loyalty, and at
    least a year of specialized and complex
    studying.
    Better than ‘Nam & getting shot or
    bombed. I was against their war. I resented
    being a prisoner. It was that or jail. D.I.A
    was better than sitting in a cell.
    I lived off post in a downtown D.C. flop
    not far from the White House.
    I couldn’t live on post with all that
    spit and polish.
    It was a sleezy cluster of backstreet dives
    and dumps, by the Greyhound station,
    filled with cheap rooms, pawnshops,
    seedy bars, strip joints, porno book
    stores, winos, druggies, muggers, pimps
    and whores.
    On army pay it was all I could afford.
    Below the Mason, Dixon line it often
    was too hot to sleep. I sat one night on my
    tenement rooftop smoking cigarettes, sipping
    Jack hoping I would crash. I had to get up
    early, catch a bus to my post, change into
    my class A uniform at the barracks, report
    for duty, study photo images shot from space,
    try to decipher what they meant in the scheme
    of things.
    Suddenly military choppers filled the air.
    You couldn’t do this in Chicago, the buildings
    are too tall.
    They swept the midnight streets with their
    spotlights.
    They circled, crisscrossed, went back and forth.
    Below them was a swarm of cops, chasing
    through the deserted blocks.
    Five floors below and two blocks down, I
    spotted the Running Man – that’s how
    I always thought of the guy I saw futilely
    fleeing for his life – arms pumping, head
    thrown back, chasing back and forth like
    a rat in a trap. He was a husky man, athletically
    built, dressed in a gray, three-piece suit.
    Was he a saboteur? A spy maybe?
    An informer perhaps? He didn’t rob a
    Seven/Eleven to create all that
    commotion.
    I wanted him to get away, drop down a
    sewer, disappear behind a secret door.
    I wanted him to do a vanishing act. He was
    running hard, but he was running out of gas.
    Was I rooting for the underdog? – Maybe,
    but we are all Running Men aren’t we?
    Running for our lives, running from our lives,
    running from the Man, running from death,
    which will get us in the end.
    Suddenly the choppers flew away.
    The cops went away.
    There was nothing about the Running
    Man in the news the next day.