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GinGin, Her Wig, and the Holy Ghost

Tuesday, September 9th, 2008

 

By: Charles Clifford Brooks III

 

I was eight-years-old, growing up in small town Georgia, when I first felt God. Crawford was a languid Southern community with one traffic light and old men telling stories at the barbershop. My home was nestled beside a lake surrounded by thick tracts of forest so a child of my nature could run naked beneath the sun without fear or hesitation. This was a good thing because, as a toddler, it was impossible to keep clothes on me once summer heat took over and made the air shimmer.

In the first years I crawled upon this earth I was watched by Mrs. Mozelle, a soft- spoken, black nanny hired by my parents. Yet, she fell ill with heart complications and another brave soul had to be found who could manage me now that I was able to run. With both of my parents in the workplace, the Brooks family was in need of a jack-of-all-trades. No mere “babysitter” or “housekeeper” would do. I had too much of my dad’s mischief coupled with my mother’s intellect to trust to just anyone.

After an arduous screening process conducted by my mother one of Mrs. Mozelle’s friends was chosen for the task and her name was Virginia Smith; “GinGin” to those fortunate enough to be called “hers”. She too was black, and no one ever gave it a second thought. I was raised with equal numbers of white and black children. My parents didn’t teach me to hate.

Now, Virginia had taken care of half of Oglethorpe County by the time she came to be the supreme power of my household. She regarded all of the children she took care of as her own. My mother told me that the first day arrived she for duty, GinGin placed her massive arms upon her hips and surveyed the living room like territory won in battle. Weighing in at over three hundred pounds and possessing a look stern discipline, she appeared ready to clean house.

When we met, I had just rolled out of bed and stumbled into her as I entered the hallway. I thought she was a mountain someone left in my way. GinGin’s white T-shirt hung loosely over her girth, and faded purple jogging pants ran all the way to her ankles. Beneath her feet flip-flops were worn down to the thickness of notebook paper. As my mother introduced us, GinGin swept me into the air and against her chest for the first of many hugs. I would come to adore those moments like Moon Pies and fireflies. “How’s my baby this mornin’?” GinGin kissed my cheek.

“Good.” I answered.

“This is Virginia, sweetheart. She’s going to keep you while your daddy and I are working.” Mom said.

“You like bacon and biscuits?” GinGin asked.

“Yes ma’am.” The fact was I loved biscuits and bacon!

“Well, let’s you and me go into the kitchen and I’ll cook while we get to know each other.” She carried me into the kitchen, sat me on a counter away from the stove, and opened the refrigerator.

Every day she wore a blue bandanna tied over head that reminded me of the turbans men wore in my book about Aladdin and his lamp. She always smelled like hard work and earth, a thick aroma that stayed with me when she left in the afternoons. Her presence was calming; even now I can remember it exactly.

GinGin would rock me when it was naptime and hum old spirituals. I felt her sincere sound resonate through my body as my head rested on her shoulder. Whole afternoons would fade in a sleepy bliss while I was on her lap.

Yet, as peaceful as those times could be, there were also occasions I would get cocky and think I could misbehave then outmaneuver my GinGin. I would try to steal candy from a dish near the dining room, fail to zig when I should have zagged, and find myself put over her knee and given a spanking called “The Big Mac.” (I must admit that I still can’t go into McDonald’s without shuttering at the burger known by the same name.) Giving a kid “time out” was a laughable idea back then, and maybe kids would be more respectful today if parents followed the balance GinGin lived by: “Love a lot. Tear that butt up if necessary.”

After many naps and spankings, GinGin and I came to know each other very well. Every workday put me in the arms of this woman from seven in the morning until my parents returned at 5:00pm. With school out for summer break we fell into a routine. I agreed to stay quiet while she watched her “stories” and she let me have extra chocolate syrup on my vanilla ice cream when Scooby-Doo came on.

It was one of these days, just after I got home from Vacation Bible School, that GinGin told me how things were done in her church. It sounded like so much fun! The people in my church didn’t raise their hands and dance like she said. No one ever passed out from being happy. All we did in church was pray, try to stay awake, then pray some more.

After a few more minutes of talking about our differences in worshipping the same God, I decided that I was going to church with GinGin. There was nothing that could be done to change my mind and I knew exactly how to go about getting permission. I sat myself in a high-backed chair placed directly in front of the door where my mom would enter after a long day at her office. If I attacked when she was exhausted, mom would agree to anything.

With her first steps inside, I stormed upon my mother’s weary frame with a flurry of begging requests that would only stop when she agreed to my demands. After a surprisingly short period of time, agree she did. I was to gain my moment in the sun alongside GinGin at church! My mom saw it as a form of social education for a young white boy.

It was decided between my two mothers that I was going to church with GinGin on the upcoming Wednesday evening. There was plenty of time to brag to all my friends, and more than enough time for my mother to buy me a hideous blue suit. All of those that I told about my upcoming adventure were jealous, and all the photos taken of me in that suit still haunt me to this day from family albums.

When the day finally came, my mother dressed me in that suit and straightened the bow tie that was easily half the size of my head. There were about a thousand pictures taken before mom finally placed me in the passenger seat and drove me to GinGin’s house. This trip took us into the poorest part of Oglethorpe County known as Wolf Skin. (Why it’s called Wolf Skin is another story entirely.) Yet, in my excitement, all I cared about was that my GinGin was in one of those small houses.

As our car came to a halt in the muddy driveway, I bolted out and ran ecstatically towards the front door. Yet, it stopped me dead in my tracks when GinGin came out to meet me on the front porch with a full head of hair. She still wore her work clothes, but her hair was entirely new. How on earth could she grow so much hair so fast? If it was there all along, how had she fit it all underneath that old, blue bandanna? I questioned my mother, but she answered only with a quick nudge and the look that roared, “Don’t be rude!”

GinGin informed us that the service would start in an hour, and my mom was to pick me up at the church around 8:00pm. I had no clue as to what time it was or if I would ever see my mom again, but those were just details between grown ups. All I knew was that my GinGin had a bunch of hair and I was headed to her church.

I was left in the safety of GinGin’s affection and waved good-bye to my mother. After her car was out of sight, I was taken inside the house where one of GinGin’s daughters, Nicole, combed my hair. Now, when I was young, my mom allowed my hair to grow out in long, brown curls. Women in the grocery store insisted on touching it regardless of how menacingly I scowled. Nicole decided it was her turn to take these same curls and rip them out of my head with a comb possessing only three teeth. This did not make me happy.

Sitting in front of a large circular mirror, Nicole tried to make me believe that she was making me “look better” and not subjecting me to some form of torture. I glanced around the room and only then noticed how dim the interior of the house appeared. The dark scared me more than any invented movie monster, and I could feel that fear creeping into my feet. I immediately looked at other details of the room to trail my mind away from the deepening shadows.

There was only one bare bulb hanging from the ceiling and a small lamp by the mirror to cast light around us. I noticed a brown, rust-like discoloring around the edge of the mirror, and the wallpaper behind it wore some sort of faded floral design I couldn’t make out. I saw Nicole behind me still vigorously tugging at me with her comb. GinGin was in her room getting ready for the evening’s main event.

Before I could see any other objects in the room, the pain of Nicole’s combing technique became unbearable. I began to plan just how loudly I would scream when GinGin appeared in her church clothes. I noticed her glow immediately. She stood in one of the few shafts of light peeking through the gray curtains and her smile seemed to chase all the gloom from the room. GinGin was pretty, and I told her so.

She laughed her bigger-than-life laugh and scooped me up into her arms so fast that one of my shoes fell off. Now closer to the mystery hair, I took hold of one of the locks and ran my fingers through it. It felt like silk, and as I pulled a little, the whole head of hair shifted on top of her head! I was mortified that I might have hurt her.

“No, no baby. It took GinGin a long time to fis’ this hair!” She told me while looking into the mirror.

She noticed my wide-eyed expression of shock, put me down, and then said, “You didn’t hurt GinGin honey. This is my church hair.”

I didn’t understand what she was trying to tell me, but I did comprehend that I was not in trouble. While she touched at her make up, I put my shoe back on and tried to stay away from Nicole who wanted to yank at my hair again. Nicole and I played a short game of chase before GinGin told us both to stop making a fuss. I took refuge behind one of her legs. Her daughter retaliated by sticking out her tongue at me.

With Nicole on one side and I on the other we were all out the door and walking down a gravel road towards the church. I began to ask about Gin Gin’s husband, but mom had told me that he had “gone away” and not to ask about him. I bit my lip.

With a very short walk along a dirt road with houses lined on either side, the church soon came into view. The church was a small white building with the wear and tear of years of prayer under its belt and a graveyard positioned behind it. The sight of the graveyard frightened me as the sky closed its evening curtains, and it caused me to make sure my hand was still swallowed completely by GinGin’s.

On the front steps I could already hear the music coming from deep inside the church and felt the rush of excitement only something altogether new can create. I then forgot I was ever afraid and pulled GinGin a little harder to get inside. My second mother introduced me to Mr. Wallace Jackson who shook my hand firmly and told me as if I were a man he was glad to see me in the house of God.

I just smiled and he continued to grin as I waved goodbye and entered the interior of the worship service. As soon as the warmth of the church was around us, I was picked up into Gin Gin’s arms. I began to sweat the very second I was brought into the building. There was no air conditioning, no fans, just a few older ladies waving fans with pictures of Jesus on the back.

I can’t remember being nervous as strangers approached the three of us. Nicole shot away from her mother and towards a group of other girls who appeared to be her age. All the new faces that I had never seen, the faces I cannot remember seeing since, did not strike me as something to pull away from. I tried to shake the hands of the men in their starched black suits and yielded to all the kisses from the women who wore hats I thought were exotic ornaments. It took everything in me not to reach out and touch the feathers they wore that made the whole place seem magical.

After finding a seat in the middle of one of the pews, GinGin pulled off my blue coat and told me that I had to keep on the vest. I had previously planned to ditch the vest due to the heat, but I wasn’t in any mood to argue. I just took my seat and continued to peer around the church. The walls were bare except for a few stained glass windows and Bible verses carved into the wood above them. The choir was getting together and didn’t seem to have hymnals like the performers in my church. How would they remember the words to all the songs?

When I had thought nothing could make this moment any more astounding, I noticed the preacher. Well, I didn’t just “notice” the man; he seemed to exude energy unselfishly into each one of us. This man was bigger than GinGin, and had a voice loud enough to part my hair.

His name was Reverend Brown, and he had a shiny bald head that seemed to glow with a halo with the light above him. He smiled and called out for an “amen” when he would say something joyous and show those exuberant teeth. His enormous frame was covered in a black robe with a purple collar that ran down the center of his bulging stomach. The sleeves hung loose like wings when he held out his arms. I felt as if he was trying to give us all a hug.

“It’s good to be in the house of the Lawd!” Life made Reverend Brown happy!

“Amen!” I yelled as loud as I could after all the others had answered. Some of the people around me laughed, and GinGin hugged me.

The preacher’s deep mahogany skin glistened. Behind him, on a huge wooden cross, was a Jesus the same color as me. It’s funny to me now how innocence prevented me from making such distinct differences at the time. As if the mind knows from birth that such things aren’t important. They are taught.

I can remember how the preacher spoke about being “glad that my arms and legs worked”. “To give thanks that I could hear, see, and sing.”

After each one of these I yelled, “Amen!” with everyone else.

This was better than cartoons and vanilla ice cream!

The choir began to sing and their voices were the gifts of angels. I immediately thought that no one in my church sang that well. Some of the people around me began to stand up, throw their hands in the air, and dance in place to the music. I could only restrain my desire to move for so long before I stood up in the pew and imitated their dance. GinGin didn’t stop me, but rather put her arm around my waist to make sure I didn’t fall.

Reverend Brown then went into his sermon in such a direct, matter-of-fact way that I, even at eight-years-old, truly grasped the importance of not fearing God, but being grateful for His love and abundant day-to-day gifts. He seemed to being telling only me and everyone all at once that everything was “gonna be alright”. Reverend Brown would look upward to the sky and shake his hands like he was reaching to touch the Almighty at that very moment. I looked up fully believing to see a miracle. God was real. God was love. God loved me. No matter what that would never change and it all made perfect sense.

I danced through the entire first hour of the sermon with the others. My hair was matted down on my head where GinGin would brush it up over my head from time to time.

The preacher that stood before the room, held up his huge arms, and hailed, “Hallelujah!”

“Hallelujah!” I screamed and lost my balance on the pew.

As I began to fall, one of my hands became entangled in GinGin’s long black hair. She prevented me from falling, but I still pulled off her wig as my arms flailed in panic. I stared at this hair in my hands as if it were some creature hanging there. I looked at GinGin and saw that the hair I knew from home rested underneath.

“It’s like a hat!” I screamed and put the hair atop my own head. I shook my hips to accompany my moment of genius.

The laughter exploded from around me as the wig was taken back and fixed on GinGin’s head again. I had discovered the secret and began to fear I was in trouble. Yet, GinGin only pulled me into her lap and hugged me so tight I thought I would pop.

She was blushing in that moment so red that it shown through her dark skin. I can still see her smile down on me with that energetic grin and her hair on sideways. I looked over to Nicole who was laughing so hard she had to hold her stomach.

Well, at this point in time my mother had been waiting for about half an hour in the parking lot while GinGin and I were caught up in the procession inside. After another fifteen minutes or so my mom decided that she had waited long enough.

She left her car, a woman on a mission, and entered the church to retrieve her son.

Mom always retells the story that for the first time in her life she had no problem finding me in a crowd. I was the white speck dancing in the middle of one of the front pews. My mom walked quickly, smiling at everyone she passed, to my seat and put her hand on my shoulder. When I looked up into her impatient eyes I realized I had to leave, then promptly began to wail at the top of my lungs. She hurriedly escorted me outside, the whole congregation watching us go. My time in GinGin’s company had come to a close.

I can only imagine how my mom must have felt dragging her son out of the church with all those eyes on her. She didn’t say a word as we drove home. I cried half because I had been taken away from the most fun I had ever had in my life, and half in fear that the spanking would indeed be severe once my father became aware of how I had behaved. When I ran out of tears I pouted quietly in my seat with my arms around my chest.

Once inside my home I was told to go straight to my room. I could hear mom and dad grumble back and forth undoubtedly over my heinous punishment when they both began to laugh. They were laughing! What kind of insanity was this?

Mom came into my room and told me that I was not in trouble. I then went before my father and told him every minute detail of my adventure. I finished the story while eating the chicken and macaroni my mom had reheated for me. I thought I would never be able to sleep that night, but as soon as I was washed and put into bed, I passed out.

I felt God all over me that day. The spiritual anchor of knowing there is something out there greater than fear or pain has resided in me all my life. It is a rejuvenating, yet humbling walk on earth to simply be happy that you can see the sun set and sing praises! It is so very beautiful to imagine that whole evening in my head and envision God looking down upon our small congregation, smiling because His children were happy to be alive. Alive and shouting, “Thank you God! Thank you! Thank you! Thank you!

GinGin and I laugh about that evening and several other incidents every time I go to see her in Oglethorpe County. We both laugh at my poor mom who was embarrassed to the bone for pulling her child out of church. I suppose I still feel bad about my mother being forced to endure such a trial, but after living through the aftermath of friends and dates seeing those pictures of me in that blue suit for nineteen years, I call it even.

Russian archaeologists find long-lost Jewish capital

Monday, September 8th, 2008

“We can now shed light on one of the most intriguing mysteries of that period — how the Khazars actually lived.”

MOSCOW (AFP) — Russian archaeologists said Wednesday they had found the long-lost capital of the Khazar kingdom in southern Russia, a breakthrough for research on the ancient Jewish state.

“This is a hugely important discovery,” expedition organiser Dmitry Vasilyev told AFP by telephone from Astrakhan State University after returning from excavations near the village of Samosdelka, just north of the Caspian Sea.

“We can now shed light on one of the most intriguing mysteries of that period — how the Khazars actually lived. We know very little about the Khazars — about their traditions, their funerary rites, their culture,” he said.

The city was the capital of the Khazars, a semi-nomadic Turkic peoples who adopted Judaism as a state religion, from between the 8th and the 10th centuries, when it was captured and sacked by the rulers of ancient Russia.

At its height, the Khazar state and its tributaries controlled much of what is now southern Russia, western Kazakhstan, eastern Ukraine, Azerbaijan and large parts of Russia’s North Caucasus region.

- Yahoo.com.

See also Khazars @ Wikipedia.

~ Karl Jones

Out & Amish

Wednesday, August 20th, 2008

James Schwartz

by: James Schwartz

4.2.07 marked the 6th month anniversary of the Nickle Mines, PA. school shootings. On 10.2.06 Charles Carl Roberts IV, shot ten little girls (age 7-13), killing five in the rural schoolhouse. The tragedy made international headlines including the Old Order Amish community reaching out to the killer’s family, bringing food and uniting in their shared grief. 50,000 voters via Beliefnet.com named the Amish community “the most inspiring person of 2006″ for their “incredible Christian forgiveness, charity and love” USA Today reported 12.14.06. What the OOA cannot forgive: homosexuality.

There are no “gay Amish / Mennonite” on record…except me, as least as far as I can Google.  Even after every United State offers full marriage equality they will never condone homosexuality as anything other than sinful. Biblical Scriptures are not open for debate or questioning. I was a mincing contradiction since birth although my flame would burn out in ten years.  When I was nine, my beloved mother Wilma Schwartz passed away after a battle with cancer. I was traumatized with grief, overnight becoming a robotic shell that operated to only get through the day, night and year. I was not encouraged to discuss her death or my feelings in any way. The Amish way of life is not an affectionate one. Cue a repressed, isolated childhood. I saw a therapist wrapping up my teenage years, giving my pain and sorrow an outlet. I could move on…and come out as accepting of my sexual orientation.

When an Amish youth reaches sixteen or so (s)he will begin “rumspringa” [rough translation: run around], attending parties and given freedoms. The parties take place in barns or garages with beer, country-western music and hetero socialzing. That all changed when I made the scene– DJing techno, luring jocks in the cornfields for hook ups and generally behaving as if from another planet. Planet Gay!

I laughed through the docu Devil’s Playground, which depicts rumspringa in LaGrange, IN. about twenty miles from where I was raised…I even spotted ex trade in the big party scene!

A gay Amish teen coming out will lose their faith community (all they know), their family and friends. If they would have joined the church they would be ex-communicated and shunned.  I formally came out in my 20s although I was never “in”– just repressed. Had any of the slain Amish girls been a family member I would not be welcomed to mourn with them, publicly or otherwise.

I had an Amish friend in the 8th grade I’ll call Melvin (not his real name).  I was allowed to stay the night at his house which, like mine, was scrubbed clean, plain and boasted a library of old National Geographic magazines and German hymnals. Alone in Melvin’s room we fell into the throes of twink passion and were overheard. My in-laws-not-to-be forbid him from even speaking to me. Weeks later I cornered Melvin and he confessed he was afraid of “hell fire” and that “what we did was wrong”. These days Melvin has the farm, wife (rather frumpy thing) and litters of children whom will be taught homosexuality is a sin. Scriptures will be quoted. This too is a tragedy.

Codex Sinaiticus Online

Thursday, August 7th, 2008

Codex Sinaiticus

“The Codex Sinaiticus Project is an international collaboration to reunite the entire manuscript in digital form and make it accessible to a global audience for the first time.”

Codex Sinaiticus is one of the most important books in the world. Handwritten well over 1600 years ago, the manuscript contains the Christian Bible in Greek, including the oldest complete copy of the New Testament. Its heavily corrected text is of outstanding importance for the history of the Bible and the manuscript -– the oldest substantial book to survive Antiquity –- is of supreme importance for the history of the book.

… Drawing on the expertise of leading scholars, conservators and curators, the Project gives everyone the opportunity to connect directly with this famous manuscript.

- codex-sinaiticus.net

Via Slashdot: Link.

~ Karl Jones

Italian friar fronts heavy metal band

Wednesday, July 23rd, 2008

[lang_en]How cool is that?  From Yahoo!:

Friar Cesare Bonizzi

Friar Cesare Bonizzi, also known as Fratello Metallo (Metal Friar) (C), poses with his band after a rehearsal session in downtown Milan July 10, 2008. Dressed in his traditional robe, sandals and twirling the rope around his waist, 62-year old Bonizzi is no ordinary heavy metal rocker. But as guitarists around him belt out heavy notes, the long-white-bearded Capuchin, a former missionary in Ivory Coast, has no qualms bobbing his head and shouting lyrics about alcohol, sex, tobacco and life in general into his microphone.

- Rudy Carrera.

[/lang_en]

Muslim actor as Jesus

Thursday, July 17th, 2008

Ahmad Soleimani-Nia“Nia’s Jesus is at once serene, devout, driven and passionate.”

He is an Iranian Muslim who looks so much like a Hollywood or Renaissance image of Jesus Christ that the faithful sometimes make the sign of the cross when they see him.

Ahmad Soleimani-Nia has been playing Jesus for seven years, keeping his hair long and lightly dyed, his beard knotty and vibrant.

He is the star of “Jesus, the Spirit of God,” a new film from Iran that depicts the man Christians believe to be the messiah and son of God as a tormented Judean prophet heralding the coming of Muhammad, the founder of the Muslim faith. Nia’s Jesus is at once serene, devout, driven and passionate.

- Jeffrey Fleishman in Tehran, via LA Times: Link.

Jesus, the Spirit of God (aka The Messiah) @ IMDB.com: Link.

~ Karl Jones

Russian art curators face another law-suit

Saturday, July 5th, 2008

Art or blasphemy?

Yuri SamodurovCriminal charges have been pressed in Moscow against Yuri Samodurov, the director of the Sakharov Public Center, and Andrei Erofeev, a curator at the State Tretyakov Gallery, in the aftermath of their exhibition “Forbidden Art 2006.” The exhibition presented works which were earlier removed from exhibitions of contemporary art at public institutions. The exhibition raised questions about the role of censorship in the presentation of contemporary art. Among works that had been censored were those by such acknowledge masters of Russian art as I. Kabakov, V. Bakhchinyan, and L. Sokov.

Currently, both of the organizers of the exhibition are awaiting trial
on charges of “offending religious feelings and incitement of
interethnic strife.”

- Gif.ru: Link.
[The text of the charges is given in its entirety]

Title Unknown, by Vagrich Bakhcanyan (from Forbidden Art 2007)

[title unknown]
Vagrich Bakhcanyan
Forbidden Art 2007

See Also

~ Karl Jones

Heart of Gold: Visits to the Mennonite communities in America

Saturday, June 14th, 2008
Mr. Soul, by Félix Curto

Mr. Soul
Félix Curto (2007)
(Portrait) Fotografía color sobre papel RC
122 x 175 cm.

Via we make money, not art:

Heart of Gold, Félix Curto’s solo show at La Fábrica Galería [Madrid, Spain], takes its title from a song by Neil Young. It features ten photographs taken by the Spanish artist while he was visiting the Mennonite communities in America.

- Regine @ we make money, not art: Link.

La Fabrica Galeria: Link.

Not all Mennonites are farmers. The people in Curto’s photographs represent a distinct subculture within the larger culture of Mennonites. Wikipedia states:

The Mennonites are a group of Christian Anabaptist denominations named after Menno Simons (1496–1561), though his teachings were a relatively minor influence on the group. As one of the historic peace churches, Mennonites are committed to nonviolence, nonviolent resistance/reconciliation, and pacifism.

There are about 1.5 million Mennonites worldwide as of 2006. Mennonite congregations worldwide embody the full scope of Mennonite practice from old fashioned ‘plain’ people to those who are indistinguishable in dress and appearance from the general population. The largest population of Mennonites is in the United States and Democratic Republic of Congo, but Mennonites can also be found in tight-knit communities in at least 51 countries on six continents or scattered amongst the populace of those countries.

- Mennonite @ Wikipedia: Link.

~ Karl Jones

A first for Saudis: Mozart performed publicly and women come

Saturday, May 3rd, 2008

I have to say this story left me pleasantly surprised. Perhaps the Kingdom of the Prophet (pbuh) is opening up a bit and may wish to learn about her Western neighbors. If true, this is a wonderful sign.

- Rudy Carrera.

Robots, Religion, Science Fiction

Tuesday, April 29th, 2008

Following up on my earlier post about robots in positions of authority

Robot Master of CeremoniesRobot officiates wedding:
June 2007, South Korea …

A robot has acted as master of ceremonies at a South Korean wedding in what its creators claim is a world first.

Tiro the robot assisted at the wedding of Seok Gyeong-jae, one of the engineers who designed it, and his bride at Daejeon, 130km south of Seoul.

… In a male voice, the robot introduced the couple to the crowd, let the couple bow to them and performed its duties.

Manufacturer Hanool Robotics claims it is the first time a robot has been used as master of ceremonies at a wedding.

- smc.au.com: June 18, 2007: Link.

I think I wouldn’t care to have a machine play a traditionally human role in my wedding. Nonetheless, I try to keep an open mind — and in any case, to each their own….

I’m reminded of Good News From The Vatican, Robert Silverberg’s 1971 short story Beyond the Safe Zone, by Robert Silverbergabout the robot cardinal who might become pope. Silverberg is one of my favorite writers, and this story is one of the reasons why:

“If he’s elected,” says Rabbi Mueller, “he plans an immediate time-sharing agreement with the Dalai Lama and a reciprocal plug-in with the head programmer of the Greek Orthodox church, just for starters…”

“What does he look like?” Miss Harshaw asks.

Rabbi Mueller removes his sunglasses… “I can tell you that his Eminency is tall and distinguished, with a fine voice and a gentle smile…”

“But he’s mounted on wheels, isn’t he?” Kenneth persists.

“On treads,” replies the rabbi, giving Kenneth a fiery, devastating look. “Treads, like a tractor has. But I don’t think treads are spiritually inferior to feet, or, for that matter, to wheels…”

- Technovelgy: Link.

“Good News From the Vatican” appears in Beyond the Safe Zone, among other Silverberg anthologies.

The Dybbuk of Mazel Tov IV is another Silverberg short story about religion and science fiction — again, one of my favorites. Instead of Christianity and robots, we have Judaism and aliens. Silverberg biographer Edgar Chapman nicely summarizes the story:

“The Dybbuk of Mazel Tov IV” [is] a tale in which Silverberg treats Jewish legend lightly, yet also endows it with new vigor in the setting of an alien planet. Here a “dybbuk,” or ghost of a man recently dead, takes possession of a Kunivar, or local alien, near a colony of two Jewish communities, a liberal enclave and a closely knit band of Hasidic Jews. The narrator, a complacent liberal, has his smug assumptions shattered by the appearance of the dybbuk, for it ressurects a legend he had thought discredited as mere supersition.

Even more astonished is the liberal rabbi, who finds the existence of a dybbuk virtually impossible to accept …. The dybbuk, something of a comic figure, is peculiarly insistent and obnoxious in its demand for attention, an amusing touch that heightens the comedy. At last, the liberal community is obliged to turn for help to a leader they have despised, the “tzaddik” of the Hasidic community, more a primitive shaman than a rabbi. The tzaddik, Reb Shmuel, a powerful figure with an imposing presence, arrives to perform the exorcism and does it effectively.

The story concludes with comic reversals that allow none of the characters to come off looking morally superior, although all gain a measure of self-respect ….

- Edgar L. Chapman, The Road to Castle Mount: The Science Fiction of Robert Silverberg: Link.

[UPDATE: above link died shortly after I posted this post.
In lieu, see The Road to Castle Mount @ Amazon.com: Link.]

“Dybbuk” also appears in “Beyond the Safe Zone”.

Robert Silverberg @ Wikipedia: Link.

The DybbukAnd speaking of dybbuks, see also — why not?
The Dybbuk (or Between Two Worlds) by S. Ansky: Link.

~ Karl Jones

Estudio Corral

Tuesday, April 29th, 2008

For those of you who can read Spanish, this is an announcement from Argentine composer Maria del Carmen Aguilar regarding an upcoming festival of religious choir music in Buenos Aires:

Hola: el Estudio Coral de Buenos Aires dirigido por Carlos Lopez Puccio ofrecera un concierto con entrada libre el Domingo 4 de Mayo a las 18 hs en la Iglesia Evangelica Metodista, Rivadavia 4050, Buenos Aires. como despedida antes de su viaje a Alemania.

Programa: In the Beginning, de Aaron Copland, Pater Noster y Ave Maria de Fernando Moruja, Lamentaciones de Jereminas, de Alberto Ginastera, Veni Creator, de Krzysztof Penderecki, Singet dem Herrn de J.S.Bach, Nunc dimitis, de Gustav Holst y Quam pulchri sunt, de Tomas Luis de Victoria.

El coro esta invitado al Festival de Musica Sacra que se realizara en Marktoberdorf, Baviera, del 9 al 13 de Mayo, y del cual participaran 10 grupos que interpretan musica sacra de 5 diferentes religiones. Ver mas detalles en la siguiente direccion:

http://www.modfestivals.org/msi_allgemein_en.php

- Rudy Carrera.

Sun halo wows Ethiopia amid poll

Saturday, April 19th, 2008

After local elections in Ethiopia, voters were greeted by this sun with a halo, considered to be a portent of good things to come.  I hope so.

- Rudy Carrera.

Sister Act

Wednesday, April 9th, 2008

The Guardian, a paper I normally loathe, comes up with a gem in the music department:

A song about the 13th century Albigensian heresy, sung in French by a Belgian nun, reached No 1 in the 1960s. We can learn a lot form that

Joe Queenan
Friday April 4, 2008
guardian.co.uk

When I was 13 years old, a Belgian nun with the unlikely name of Soeur Sourire released a single called Dominique which became a mammoth international hit. As I was still quite young and impressionable, and as my parents never bothered to explain reality to their children, I viewed Dominique’s success as a sign that Armageddon was nigh. Nothing else could explain why an entire planet would go nuts over a jaunty little number about the personal theological battle waged by a Spanish monk against the 13th century Albigensian heresy, sung in French by a Belgian nun ostensibly named Sister Smile, accompanying herself on the guitar. Nothing.

Sister Smile (nee Jeannine Deckers) proved to be a one-hit wonder, and the threat posed to society by her No 1 single was soon superseded by the success of the child lounge lizard Wayne Newton, who released his own European-flavored hit Danke Schoen the very same year. In the fullness of time, it was explained to me by the village elders that Dominique and Danke Schoen were “novelty numbers”, quirky little one-offs that were not likely to spawn any dire new trend. It was their unexpected quality that added to their appeal; they seemed to come out of nowhere. They fell into the same class as Que Sera, Sera, Non Dimenticar, Vaya con Dios and the surprise Japanese hit, Sukiyaki, which was also reached No 1 in the charts in 1963. These songs, I was assured, were quite harmless and had nothing to do with John F Kennedy’s death. But I never trusted the village elders on this one, because the village elders adored songs like Volare, and Volare seemed to have bubbled up from the deepest bowels of Hell.

Ever since I heard Dominique, I have had an abiding terror of pop songs sung in French. This is hard to explain, as I have spent a year living in Paris and have read all six volumes of A La Recherche du Temps Perdu. What’s more, there are many French singers whose work I enjoy: Edith Piaf, Georges Brassens, Yves Montand, Michel Polnareff, Jacques Brel (Belgian), even a few numbers by Johnny Hallyday. But one of the reasons I like these singers is because they never succeeded in making a genuinely big splash in America. Though Piaf and Aznavour and Brel might occasionally wow audiences at Carnegie Hall, none of them entrenched themselves on the pop charts and entered the American consciousness in the way, say, Spandau Ballet did. French music was something that could be admired from afar, like Go or Morris Dancing or socialism, but it was not something Americans wanted making inroads into our civilization. We didn’t mind having French music on the planet. We didn’t want French music on the radio.

Americans are very touchy about this issue. With the exception of homegrown Cajun ditties with names like Le Loup Garou, Americans do not respond well to songs sung in French. This is because Americans view the French as shifty and pretentious, and honestly think that when someone sings all or part of a song in French, they are trying to put something over on us. Typical is Leonard Cohen, a canny Canadian who often recruits vaporous French women with angelic voices to handle the background vocals in his ostentatiously cryptic songs, and it is also true of Paul McCartney, whose Michelle is one of the most culturally discombobulating hits ever.

The lyrics to Michelle, it will be recalled, are: “Michelle, ma belle, sont des mots qui vont tres bien ensemble.” To an extent this is true: the words certainly go together better than, “Kylie, ma vie, tu es vraiment tres jolie, ma Kylie,” or, “Marie-Therese, ma maitresse, est-ce que ca te plait quand je te baise, ma Marie-Therese?” But it does not change the fact that the lyrics are banal and extraneous as they say nothing in French that could not be said equally well in English. This is just another case of Paul trying to be highbrow and snooty, which is what always gets him into trouble.

I am not one of those people who insist that there has never been a great crossover pop song sung in French. I know of at least three: Plastic Bertrand’s rambunctious 1977 hit Ca Plane Pour Moi, Blondie’s 1978 reworking of the 1963 hit Denise with additional French lyrics and Labelle’s 1975 smash hit Lady Marmalade, which contains the immortal query: “Voulez-Vous Coucher Avec Moi - Ce Soir?” Of these tunes, only one is sung by a native francophone, and I don’t hear anyone complaining about it. Some may petulantly insist than the 1969 Serge Gainsbourg- Jane Birkin ballad Je T’Aime … Moi Non Plus is a great pop song, but they are only saying it to be annoying. Je T’Aime is a vital pop cultural artefact: it shows what can happen when people from very different backgrounds and very different cultures get together in a recording studio and release a single in a society where people are already taking too many drugs. But to insist that Je T’Aime is a great pop song is to fall into the classic trap of assuming that just because a song makes no sense in the language of Sartre that it might make more sense in the language of Sting. This is like arguing that Penelope Cruz would be appreciated as a great actress in Hollywood if more Americans spoke Spanish or if she could make herself understood when she speaks English. Neither of these things is happening anytime soon.

Many young people alive today are unaware that a Belgian nun ever had the number one hit on this very planet. This is unfortunate, because those who cannot remember the Belgian hits of the past are condemned to listen to the Swiss hits of the future. Yet, within living memory, shortly after Kennedy’s assassination, and indeed on the very cusp of the British pop music invasion, a song about a heresy that erupted in Southern France in the 13th century rose to the very top of the charts. The song would have us believe that St Dominic was a humble, lovable monk who fought valiantly against the forces of darkness, though in fact Saint Dominic founded the religious order that brought mankind the monstrous Spanish Inquisition. And far from being murderous heretics, the Albigensians were sweet, easy-go-lucky Mediterraneans who simply wanted to be left alone. The Albigensian Crusade, the first time Christians mounted a religious war against other Christians, was nothing but a naked land grab by the French nobility.

The Crusade kicked off with the massacre of the entire population of Beziers, during which a sassy monk, asked by the troops how to distinguish devout Christians from the devil’s own, snapped: “Kill them all; let God sort them out.” It finished up with the massacre at Montsegur, where several hundred Albigensians refused to abjure their faith and were burned alive. None of this is mentioned in the song. One last thing: Sister Sourire’s co-composer also wrote the fiendishly maudlin Yuletide classic, Do You Hear What I Hear? Noel Regney was a Frenchman who joined the Nazi army, then, like many Frenchman with shadowy war records, subsequently claimed to be a member of the Resistance. Dominique reached the top of the US charts on December 7, 1963, the 22nd anniversary of the Japanese attack on Pearl Harbour. Shortly thereafter, Sister Soeur quit the convent and lost her record contract. Twenty-two years later, she committed suicide. This didn’t surprise me one bit. Even as a kid, I knew this thing was going to end badly.

- Rudy Carrera.

Trailer for Concert In Honor of Pope Benedict XVI

Tuesday, April 8th, 2008

[kml_flashembed movie="http://www.youtube.com/v/GlE2SolEp_Q" width="425" height="350" wmode="transparent" /]

Though I’m not Roman Catholic, I have a high appreciation for the current Pontiff, Benedict XVI (formerly theologian, writer and philosopher Joseph Alois Ratzinger). It simply amazes me that secularists see the world of Christendom to be a stunted, intellectually bankrupt collection of simpletons when scholars from all three major Christian traditions have contributed to much to philosophy, logic, science and the arts. That’s for another discussion, however.

He is due to minister to his flock in America in a few days, and I believe this is to be one of the songs performed in his presence. The video is taken from a performance by the Bavarian Radio Choir and Orchestra in front of the Pope at the Vatican.

I’ve read that this is the greatest piece of music written in the last millennium, and I agree. The words are by the German prose master Friedrich Schiller, and of course the music was composed by Ludwig van Beethoven, where this piece was included in his Ninth Symphony. It is truly a glorious piece of music, something to brighten what was, I hope, an already good day for you.

Oh, and if you need “singing-in-the-shower” material, here are the words.

- Rudy Carrera.